Zora Neale Hurston - significado y definición. Qué es Zora Neale Hurston
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Qué (quién) es Zora Neale Hurston - definición

AFRICAN AMERICAN FOLKLORIST, NOVELIST, SHORT STORY WRITER, AND CIVIC RIGHTS ADVOCATE (1891-1960)
Zora Neal Hurston; Zora Hurston; Zora Neale Huston; Zora Neal Huston; Zora Neal Houston; Zora Neale Houston; Tell My Horse; Zora Huston; Hurstonian; Zora N. Hurston; Hurston, Zora Neale
  • Neale Hurston in 1938, photographed by [[Carl Van Vechten]]
  • Hurston playing a hountar, or mama drum, 1937
  • Hurston in Florida on an anthropological research trip, 1935

Zora (vampire)         
  • The cover to ''Golden Lady'' #2.
COMIC BOOK
Zora la Vampira; Zora (Vampire)
Zora (Italian: Zora la Vampira) is an Italian comic book erotic character from the 1970s. Zora la Vampira ("Zora the vampiress") is one of many such characters from the Italian fumetti tradition.
Zora Wolfová         
CZECH TRANSLATOR FROM ENGLISH
Zora Wolfova
Zora Wolfová (20 February 1928 — 29 November 2012) was a Czech translator (from English) and publishing editor. Her early translations are credited under her maiden surname, Bartošová.
Zora Martin-Felton         
AMERICAN WRITER AND EDUCATOR
Zora Martin Felton
Zora Martin-Felton (sometimes written Zora Martin Felton or Zora Felton) was an American museum director and curator. She established the education department at the Anacostia Community Museum, which is a museum in the Smithsonian Institution and worked as Director of Education from 1967-1995.

Wikipedia

Zora Neale Hurston

Zora Neale Hurston (January 7, 1891: 17 : 5  – January 28, 1960) was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on hoodoo. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.

Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida, in 1894. She later used Eatonville as the setting for many of her stories. In her early career, Hurston conducted anthropological and ethnographic research while a student at Barnard College and Columbia University. She had an interest in African-American and Caribbean folklore, and how these contributed to the community's identity.

She also wrote fiction about contemporary issues in the Black community and became a central figure of the Harlem Renaissance. Her short satires, drawing from the African-American experience and racial division, were published in anthologies such as The New Negro and Fire!! After moving back to Florida, Hurston wrote and published her literary anthology on African-American folklore in North Florida, Mules and Men (1935), and her first three novels: Jonah's Gourd Vine (1934); Their Eyes Were Watching God (1937); and Moses, Man of the Mountain (1939). Also published during this time was Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), documenting her research on rituals in Jamaica and Haiti.

Hurston's works concerned both the African-American experience and her struggles as an African-American woman. Her novels went relatively unrecognized by the literary world for decades. In 1975, fifteen years after Hurston's death, interest in her work was revived after author Alice Walker published an article, "In Search of Zora Neale Hurston" (later retitled “Looking for Zora”), in the March issue of Ms. magazine that year. Then, in 2001, Hurston's manuscript Every Tongue Got to Confess, a collection of folktales gathered in the 1920s, was published after being discovered in the Smithsonian archives. Her nonfiction book Barracoon: The Story of the Last "Black Cargo", about the life of Cudjoe Lewis (Kossola), was published in 2018.

Ejemplos de uso de Zora Neale Hurston
1. A team working under novelist Zora Neale Hurston recorded the songs and services of South Carolina‘s Gullah community.
2. The Harlem Renaissance soon was in full flower, including figures such as Langston Hughes, Countee Cullen, James Weldon Johnson, Bontemps and Zora Neale Hurston.
3. She was especially strong on the writers of the Harlem Renaissance, obtaining first editions and correspondence from Langston Hughes, Richard Wright and Zora Neale Hurston.
4. There‘s no point." The planned book, which she hopes will be eligible as a PhD thesis that might enable her to return as a don to another first love, Cambridge University, is to include studies of Updike, Zora Neale Hurston, Sebald, possibly Roth, and definitely David Foster Wallace, who has been at the centre of an illuminating, ongoing tussle between her and another critic for New Republic, James Wood; a tussle which, just after '/11, escalated briefly into what she now calls, with characteristic earthiness, a "bitchfight". When White Teeth was published, in 2000, Wood placed it in a tradition he called "hysterical realism"÷ books that contain so many other people, so much information, that it paradoxically drowns out their humanity.